Gay fantasy comic

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    Laura Sackton is a gender non-conforming book nerd and freelance writer, known on the internet for loving winter, despising summer, and going overboard with extravagant baking projects. In addition to her work at Manual Riot, she reviews for BookPage and AudioFile, and writes a weekly newsletter, Books & Bakes, celebrating queer lit and tasty treats. You can trap her on Instagram shouting about the queer books she loves and sharing photos of the walks she takes in the hills of Western Mass (while listening to audiobooks, of course).

    View All posts by Laura Sackton

    The planet of queer webcomics is a truly vast and wonderful world. I&#;m fully convinced that if you can dream it up, there&#;s a webcomic about it. Gays in room, check. Fantasy romance, inspect. Time travel, check. Queers bringing down corrupt governments, check. But those tropes and themes are just the beginning. While making this list, I fell down many a rabbit hole into so many strange, fascinating, and resourceful world

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    The Chromatic Fantasy

    Reviews

    Tegan O'Neil | December 7,

    My goodness, but what a gorgeous book! Sitting here, mulling over just how to begin a review, that’s the note my brain keeps thrumming. Pick up the book, perceive how heavy it is in your hand. Not a massive book, as these things leave (it's 6" x 8"), but nevertheless a substantial book, wedged in your paw. The cover has attractive gold foil highlights, and the actual side of the pages—the “fore-edge” of the book, I believe—is also a wonderful lustrous gold. The whole thing is bathed in shade , not a single centimeter left undecorated.

    No small thing to observe, in the context of a publishing industry dominated by bureaus of real and imagined existential worry: people still know how to make dynamite-looking books. The Chromatic Fantasy is a dynamite-looking book, and not just for being well-drawn - it’s a testament to the fact that the bookmaker’s art is alive and well in the 21st century. Silver Sprocket is the publisher, and their masthead here credits Carina Taylor as performance designer, so before anything else it seems a g